The (Famous) Squatting Dance subverts a colonial gaze that sees “authenticity” as locked in the past and experimental contemporary performers as “rule breakers” of tradition rather than the progenitors of future cultures.
Dive into the artist’s underwater world with playful and inquisitive characters inspired by aquatic creatures like the strange and singular sand dollar.
Carmina Escobar’s Naque Caníbal: Iris Chacón and Tlazoltéotl
Los Angeles, California
A sensual creature emanating a siren-like chant, accompanied by piano strokes coming from atop the stage-cum-temple, made her way across the open dance floor, which doubled as an ephemeral cabaret and sacrificial site.
Guadalupe reclaims what she calls “the primary African community” and pointed out that in that community they are considered “elderly,” in the sense that they acquired wisdom in life.