Advancing the visibility, legacy, and scholarship of artists working in performance.

Commissioned Reviews From Around the World

Ventriloquizing the Master’s Tools

October 16, 2026
By Zian Chen
Eunju Hong at Palazzo delle Prigioni
Venice, Italy

As the performer walked, turned, and spun throughout the space, the puppet swung along—sometimes facing them like a dance partner, sometimes dangling or pitching away before being drawn back.

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The I Is Plural

September 29, 2026
By Meg Linton
Carole Kim at Electric Lodge
Los Angeles, California

Kim establishes the aesthetic circumstances, then allows her collaborators the freedom to insert themselves into the work and co-create its exuberant unfolding.

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Friction as Connection

September 15, 2026
By Chuchun Hsu
RRRRRR Collective at Theaterhaus Gessnerallee
Zurich, Switzerland

Perhaps this was the collective’s central argument, that we can only ever approach the Other through imagination, not information, projecting stories into the distance between us.

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