Kim establishes the aesthetic circumstances, then allows her collaborators the freedom to insert themselves into the work and co-create its exuberant unfolding.
Perhaps this was the collective’s central argument, that we can only ever approach the Other through imagination, not information, projecting stories into the distance between us.
Wolfe and the ensemble presented choreographed vignettes that, although metaphorically intimate in nature, could be conceptualized as ubiquitous experiences.
The performance unfolded like a testing ground for something ongoing, its complexity extending far beyond the confines of the gallery or the art context.
